In 1964, he returned to Germany and there appeared in a series of Heimatfilme, adventure and western films, based on novels by German author Karl May.[10] These included Last of the Renegades (1964) with Lex Barker; three films with Stewart Granger, Amongst Vultures (1964), The Oil Prince (1965) and Old Surehand (1965); Shots in 3/4 Time (1965); Duel at Sundown (1965) with Peter Van Eyck; Call of the Forest (1965), an Austrian movie; Die Nibelungen, Teil 1 - Siegfried (1965) and Die Nibelungen, Teil 2 - Kriemhilds Rache (1967).
Despite his fluency in Italian and English, Hill was usually dubbed by other actors in both languages. In the Italian versions of his films, various actors provided his voice until the late 1960s, where he was primarily dubbed by Sergio Graziani; he was voiced by Pino Locchi from 1970 to 1983, and by Michele Gammino from 1983 to 1996. For English dubs, Lloyd Battista dubbed him in six films, including the "Cat Stevens and Hutch Bessy" trilogy, while Roger Browne dubbed him in most of his early 1970s films (They Call Me Trinity to A Genius, Two Partners and a Dupe); from Mr. Billion onward, Hill dubbed his own English voice.[16][17]
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Alex Calleros is a prolific writer, director, and editor. His previous collaboration with Gravitas Docufilms, These Amazing Shadows, was an official selection of the 2011 Sundance Film Festival. That same year, Alex co-founded the innovative production company Finite Films, which believes in making movies that respect the audience, offer an experience, and add to the conversation. Finite Films produced a dozen short films in their first year based on audience-generated constraints, one of which became the inspiration for their award-winning sci-fi web series, Anamnesis (AmIAwake.net). Alex and Finite Films were gratified to collaborate with Gravitas once again on Being George Clooney, and are now developing several ambitious projects that span a variety of genres and platforms, including documentary and narrative web series, feature films, and TV pilots.FAVORITE CLOONEY MOVIE: O Brother Where Art Thou?
First of all, not every movie that features a prison escape or escaped prisoners is a Prison Escape Movie. To be on this list, a movie must centrally feature the escape, both tonally and practically, emphasizing the conditions that create the need for the escape, the process of planning and strategizing the escape (including through teamwork), the actual escape, being on the run or pursued or recaptured, and/or a general atmosphere of fear, fascism, paranoia, and injustice. 2ff7e9595c